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Shantaram: A Novel, by Gregory David Roberts
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"It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured."
So begins this epic, mesmerizing first novel by Gregory David Roberts, set in the underworld of contemporary Bombay. Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.
Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.
As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.
Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas---this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.
- Sales Rank: #4601 in eBooks
- Published on: 2004-10-13
- Released on: 2004-10-13
- Format: Kindle eBook
Amazon.com Review
Crime and punishment, passion and loyalty, betrayal and redemption are only a few of the ingredients in Shantaram, a massive, over-the-top, mostly autobiographical novel. Shantaram is the name given Mr. Lindsay, or Linbaba, the larger-than-life hero. It means "man of God's peace," which is what the Indian people know of Lin. What they do not know is that prior to his arrival in Bombay he escaped from an Australian prison where he had begun serving a 19-year sentence. He served two years and leaped over the wall. He was imprisoned for a string of armed robberies peformed to support his heroin addiction, which started when his marriage fell apart and he lost custody of his daughter. All of that is enough for several lifetimes, but for Greg Roberts, that's only the beginning.
He arrives in Bombay with little money, an assumed name, false papers, an untellable past, and no plans for the future. Fortunately, he meets Prabaker right away, a sweet, smiling man who is a street guide. He takes to Lin immediately, eventually introducing him to his home village, where they end up living for six months. When they return to Bombay, they take up residence in a sprawling illegal slum of 25,000 people and Linbaba becomes the resident "doctor." With a prison knowledge of first aid and whatever medicines he can cadge from doing trades with the local Mafia, he sets up a practice and is regarded as heaven-sent by these poor people who have nothing but illness, rat bites, dysentery, and anemia. He also meets Karla, an enigmatic Swiss-American woman, with whom he falls in love. Theirs is a complicated relationship, and Karla’s connections are murky from the outset.
Roberts is not reluctant to wax poetic; in fact, some of his prose is downright embarrassing. Throughought the novel, however, all 944 pages of it, every single sentence rings true. He is a tough guy with a tender heart, one capable of what is judged criminal behavior, but a basically decent, intelligent man who would never intentionally hurt anyone, especially anyone he knew. He is a magnet for trouble, a soldier of fortune, a picaresque hero: the rascal who lives by his wits in a corrupt society. His story is irresistible. Stay tuned for the prequel and the sequel. --Valerie Ryan
From Publishers Weekly
At the start of this massive, thrillingly undomesticated potboiler, a young Australian man bearing a false New Zealand passport that gives his name as "Lindsay" flies to Bombay some time in the early '80s. On his first day there, Lindsay meets the two people who will largely influence his fate in the city. One is a young tour guide, Prabaker, whose gifts include a large smile and an unstoppably joyful heart. Through Prabaker, Lindsay learns Marathi (a language not often spoken by gora, or foreigners), gets to know village India and settles, for a time, in a vast shantytown, operating an illicit free clinic. The second person he meets is Karla, a beautiful Swiss-American woman with sea-green eyes and a circle of expatriate friends. Lin's love for Karla—and her mysterious inability to love in return—gives the book its central tension. "Linbaba's" life in the slum abruptly ends when he is arrested without charge and thrown into the hell of Arthur Road Prison. Upon his release, he moves from the slum and begins laundering money and forging passports for one of the heads of the Bombay mafia, guru/sage Abdel Khader Khan. Eventually, he follows Khader as an improbable guerrilla in the war against the Russians in Afghanistan. There he learns about Karla's connection to Khader and discovers who set him up for arrest. Roberts, who wrote the first drafts of the novel in prison, has poured everything he knows into this book and it shows. It has a heartfelt, cinemascope feel. If there are occasional passages that would make the very angels of purple prose weep, there are also images, plots, characters, philosophical dialogues and mysteries that more than compensate for the novel's flaws. A sensational read, it might well reproduce its bestselling success in Australia here.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
A thousand pages is like a thousand pounds--it sounds like too much to deal with. Nevertheless, Roberts' very long novel sails along at an amazingly fast clip. Readers in the author's native Australia apparently finished every page of it, for they handed it considerable praise. Now U.S. readers can enjoy this rich saga based on Roberts' own life: escape from a prison in Australia and a subsequent flight to Bombay, which is exactly what happens to Lindsay, the main character in the novel; once in Bombay, he joins the city's underground. Roberts graphically, even beautifully, evokes that milieu--he is as effective at imparting impressions as any good travel writer--in this complex but cohesive story about freedom and the lack of it, about survival, spiritual meaning, love, and sex; in other words, about life in what has to be one of the most fascinating cities in the world. One's first impression of this novel is that it is simply a good story, but one soon comes to realize that Roberts is also a gifted creator of characters--not only Lindsay but also Prabaker, who becomes Lindsay's guide, caretaker, and entree into various elements of Bombay society. Soon, too, one becomes aware and appreciative of Roberts' felicitous writing style. In all, despite the novel's length, it is difficult not to be ensnared by it. And, be forewarned, it will be popular. Brad Hooper
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
606 of 634 people found the following review helpful.
Do yourself a favor: read this book.
By Michael Zwerdling
I have, in the last three years, read literally hundreds of books of fiction. I can quite easily list the three bodies of work which were the most enjoyable, instructive, and otherwise influential to me. In order they are: 1) the entire 21 book series of Patrick O'Brian's Aubrey/Maturin historic naval literature (probably the best series of books I have ever read), 2) the three books of Neal Stephenson's Baroque Cycle (Quicksilver, The Confusion, and the System of the World), each book being better than the previous one, and 3) Shantaram.
Shantaram is a love story from start to finish: love of mankind, love of friends, love of a woman, love of a country, love of a city, love of an adversary, love of a way of life, love of a people, love of adventure, love of a father, and, most apparent, love for the reader.
The protagonist (based on the writer himself) is a complex adventurer with a deep soul and a past which, though you and I can never fully appreciate it unless we have done similar things (highly unlikely...few of us have ever been tortured, for example, or kicked a heroin habit twice) is made accessible to us, complete with its feelings and lessons.
The writing is superb, the characters have depth, the setting descriptions place you right there, the plots are intriguing, and the emotions, including humor, I cannot adequately describe, since I have nowhere near the skills of the writer, Gregory Roberts.
I cannot recommend the book more highly. Please do yourself a favor and read it.
562 of 605 people found the following review helpful.
A Marvel
By Amazon Customer
Shantaram is one of those books that you wait to find for five years, even a decade. You know how it is. You read a really great book and, on coming to the end page, immediately want to find another book just as good to fill its place. So you go out looking for such a book, but cannot find it. You look for a week, then a month, then months turn to years, and finally,5 to 10 years later, you finally find a book that is a really great read.
Shantaram is such a book. It is an A+ story that captivates you on page one and sustains the pace through every one of its 920 pages. It overflows with a wide range of characters of every moral persuasion, good and bad. And it is rich with the big themes on the nature of humanity and the human struggle to survive and thrive, for better or worse. In addition, the actual writing is superb, descriptive and often beautiful, without ever descending into sentimental or maudlin. Roberts always manages to find the right phrase or word to bring into clear focus the incredible wide range of experiences he paints. I might add, this is one book that I do not want to see as a movie, because there is no way that a mere movie could be a fraction as good as this glorious, three dimensional work.
I'll be lucky if I have to wait only another 5 - 10 years to find another book this good.
122 of 133 people found the following review helpful.
Best Book of 2005
By Patrick M. Blackburn
It's just not fair. Gregory David Roberts is one of the best writers of our time, and I do not make that statement lightly. I am usually a 350-400 page novel-reader -- I like to get in and get out. But after reading the first paragraph (I dare you to read it and NOT be interested in seeing where he goes), I couldn't stop thinking about it. Actually, I read the first paragraph in Borders, put it down and went home. I simply didn't want to start a 900 page novel. But I couldn't get the passage out of my head the whole night, and returned the next day to purchase it. This book is magical. It reads like the best non-fiction adventure novel (!) ever written. I gave the book to my dad for his birthday and about a month later asked him how it was going. He told me that he had 100 pages left but hadn't read in two weeks because he "didn't want it to end."
Instead of a synopsis of the book, which is available in so many places, I thought I'd tell you my thoughts about the book and how it impacted me and those around me. I hope it helps. I tell everyone about this book and always say the same two things:
1) Don't let the 900 pages scare you.
2) Read the first paragraph. If you aren't interested in that, don't go on. But if that paragraph doesn't inspire you, I have no idea why you read in the first place. You can read the first page here on Amazon.
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