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The Danish Girl, by David Ebershoff
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Now an Academy Award-winning major motion picture, starring Academy Award-winners Eddie Redmayne and Alicia Vikander and directed by Academy Award-winner Tom Hooper
National Bestseller * A New York Times Notable Book * Winner of the Lambda Literary Award for Transgender Fiction * Winner of the Rosenthal Foundation Award from the American Academy of Arts and Letters * Finalist for the New York Public Library Young Lions Award * Finalist for the American Library Association Stonewall Book Award
Loosely inspired by a true story, this tender portrait of marriage asks: What do you do when the person you love has to change? It starts with a question, a simple favor asked by a wife of her husband while both are painting in their studio, setting off a transformation neither can anticipate. Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires. The Danish Girl’s lush prose and generous emotional insight make it, after the last page is turned, a deeply moving first novel about one of the most passionate and unusual love stories of the 20th century.
From the Trade Paperback edition.
- Sales Rank: #30732 in eBooks
- Published on: 2001-02-01
- Released on: 2001-02-01
- Format: Kindle eBook
Amazon.com Review
Though the title character of David Ebershoff's debut novel is a transsexual, the book is less concerned with transgender issues than the mysterious and ineffable nature of love. Loosely based on the life of Danish painter Einar Wegener who, in 1931, became the first man to undergo a sex-change operation, The Danish Girl borrows the bare bones of his story as a jumping-off point for an exploration of how Wegener's decisions affected the people around him. Chief among these is his Californian wife, Greta, also a painter, who unwittingly sets her husband's feet on the path to transformation. While trying to finish a portrait of an opera singer who has cancelled a sitting, she asks Einar to stand in for her subject, putting on her dress, stockings, and shoes. The moment silk touches his skin, he is shaken: Einar could concentrate only on the silk dressing his skin, as if it were a bandage. Yes, that was how it felt the first time: the silk was so fine and airy that it felt like a gauze--a balm-soaked gauze lying delicately on healing skin. Even the embarrassment of standing before his wife began to no longer matter, for she was busy painting with a foreign intensity in her face. Einar was beginning to enter a shadowy world of dreams where Anna's dress could belong to anyone, even to him. Greta soon recognizes her husband's affinity for feminine attire, and encourages him not only to dress like a woman, but to take on a woman's persona, as well. "Why don't we call you Lili?" she suggests. What starts out as a harmless game soon evolves into something deeper, and potentially threatening to their marriage. Yet Greta's love proves to be enduring if not immutable. As Einar inexorably transforms, he steps beyond "that small dark space between two people where a marriage exists" and Greta lets him go.
Ebershoff does a remarkable job of historical prestidigitation, creating the sights and sounds and smells of 1930s Denmark and making it seem easy. Even more remarkable is his treatment of Greta: he gets inside her head and heart, and renders her in such loving detail that her reactions make perfect sense. Einar is more of a cipher, and ultimately less interesting than his wife. But in the end, this is Greta's book and David Ebershoff has done her proud. The Danish Girl marks a promising fictional debut. --Sheila Bright
From Publishers Weekly
Ebershoff, the publishing director at Modern Library, has taken a highly unusual subject--and a big chance--for his first novel. That it comes off triumphantly is a tribute to his taste and restraint and to the highly empathetic quality of his imagination. His book is based on the real-life story of Einar Wegener, a Danish artist who 70 years ago became the first man to be medically transformed into a woman--long before the much better-known case of Christine Jorgensen. Ebershoff has naturally changed some of the characters, giving Einar an American wife from his own native city of Pasadena, thereby introducing a New World perspective on the drama. For a very real drama it is. Einar struggles with his inclinations to become the woman he and his wife, Greta, refer to as Lili, seemingly more agonized about what the change would mean than Greta, who is deeply loving and amazingly supportive throughout Einar's long ordeal. Seldom has the delicate question of sexual identity been more subtly probed (one would have to go all the way back to Jan Morris's autobiographical Conundrum); and Ebershoff's remarkable feel for the period atmosphere and detail of 1920s Copenhagen and early-'30s Dresden, where Lili's life-transforming operation is finally performed, has been poetically and intensely rendered. The portraits of the various medical men who offer their very different solutions to the problem are brilliantly accomplished. The original story ended much more unhappily than Ebershoff's, but his poignant and visionary conclusion is a fitting one for what is, above all, and despite its sensationalist trimmings, a profound and beautifully realized love story. Eight-city author tour; rights sold in Germany, Italy, U.K., Spain, Australia, Brazil, Finland, Portugal, the Netherlands and Denmark. (Feb.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Another fact-based novel, set in the 1920s, featuring a Danish artist intent on becoming a woman and the wife who loves him (her?). Written by the publishing director of Modern Library, this debut has already generated huge foreign sales.
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
45 of 48 people found the following review helpful.
A surprising but intensely romantic view of marriage & love.
By A Customer
The Danish Girl is compulsively readable - primarily because the three characters Einar/Lili and Greta are so finely and fully realized. That a story which on the surface should be so unlikely - i.e., that a woman would help her husband find the "girl within" - becomes so inevitable on the page is, I believe, the author's greatest achievement. It's wonderful that Greta (the wife) herself does not fully understand why she's helping Einar/Lili but that her motivations - conscious and subconscious - are revealed slowly throughout the course of the book both to herself and to the reader. It's also fascinating how different Greta and Einar's relationship is from Greta and Lili's, yet how complex and real and loving these relationships are. I only wish that the book hadn't ended with us knowing so little about what happened between Greta and Lili after they've moved forward in their lives. Nonetheless, this is an incredibly promising literary debut and I look forward to reading more by this author.
0 of 0 people found the following review helpful.
Hard work for the reader
By Airbreather
I wanted to like this book; the reviews looked great, and I enjoyed The 19th Wife so I know Ebershoff is a talented, intelligent writer. But I found this one a chore to get through. Here's why:
I just didn't buy the characters. Surely the first person to undergo gender reassignment surgery would be someone who was brave, strong-willed, and probably a colourful personality. Lili struck me as the sort of person who simply accepts whatever life brings, without resistance; childlike and timid. Greta, as a physically striking and very wealthy American, also seemed like a square peg in a round hole. She swings back and forth between being hesitant to even speak to her husband, and playing the role of controlling mother to him. I struggled to get a sense of who she really was. I don't know what the original people (who inspired this novel) were like, but I imagine them to be bolder, louder, and so much more colourful than the subtle shades-of-grey Lili and Greta are drawn with.
I'm not sure where the reader sits with this novel. The writing style is to create small details with the reader linking them together to see the bigger picture. But sometimes we sit close to the characters; and sometimes they are subjects that we're studying. For example, there's an unspoken suggestion about where the doctor is taking his donor organs, and it's shocking; sending the reader's mind reeling. But the characters are completely aloof from it, which has the effect of pushing the reader back from the story.
And finally, there was no humour in this novel - never a light moment, or little black humour to inspire a grim smile. No moment when the reader could share a smile with any of the characters, or with the author. Personally, I found that made the characters and their story difficult to access.
I hope that’s a fair and helpful review. I read a number of reviews before I bought the book, and they were all glowing in their praise so obviously there are a lot of readers out there who will love this story. But it didn’t suit me at all, and it was a relief to reach the final page.
1 of 1 people found the following review helpful.
Book Seller and Author reviews.
By ChelseaGS
Not sure if I'm rating the book? Or the company that sent me the book. Either way, both deserve 4 stars. The shipper took their sweet time getting this to the Post Office and the book itself uses that tired mechanism of cliffhanger at the end of the chapter and totally different scent starting next chapter, then eventually resolves the cliffhanger. I'm tired of reading books like that, books trying to emulate "Pulp Fiction." I know books have been written like that for ages, I'm just tired of reading them. For me, it makes the book very difficult to immerse myself in and I really wanted to immerse in this loving story.
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