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Song of Unmaking (White Magic), by Caitlin Brennan

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Striving to save the Aurelian Empire, Valeria reached for too much power too quickly and a darkness rooted inside her. Unable to confess the truth, Valeria turns to Kerrec, her former mentor, one of the elite Riders from the Mountain, home of the gods. But Kerrec, too, is deeply wounded and his darkness may be even deeper than hers--and he is refusing to face it. Until his weakness nearly destroys the Riders and their immortal white stallions...
As Kerrec is sent from the Mountain on a desperate quest for healing, Valeria is forbidden to follow. But compelled by a power she cannot understand and encouraged by her own stallion, she shadows Kerrec on a perilous mission.
The patterns of deception and secrets have been woven, the threats of war and unrest spread throughout the land, the barbarian hordes return and once more it is Valeria--and Kerrec--who must gather their strength and wounded magic to protect all that they believe in.... But who will believe in...
- Sales Rank: #705328 in eBooks
- Published on: 2009-10-29
- Released on: 2009-11-01
- Format: Kindle eBook
Review
"Animal lovers and romantic fantasy aficionados alike will appreciate this . . . coming-of-age story and an exhilarating romantic adventure." -- Romantic Times on The Mountain's Call
About the Author
Caitlin Brennan is the author of a dozen acclaimed novels, including "The Mountain's Call", "Song of Unmaking", and "Shattered Dance". A graduate of Yale and Cambridge University, she holds degrees in ancient and medieval history, and breeds Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona.
Most helpful customer reviews
12 of 13 people found the following review helpful.
magnificent romantic fantasy
By A Customer
Euan Rohe, a Caletanni barbarian almost brought the Empire and the Emperor to its knees during the Great Dance. Valeria, a rider of the wild stallions who are gods made flesh, finished the Dance with her own and seven other stallions and for a time war was averted. Valeria returns to the mountain for more training while Euan escapes to his homeland and allies himself with Gothard, the baseborn son of the Emperor who wants to Unmake his father's empire.
War is coming and the Emperor, his warriors and his mages are at the border waiting for the right time to strike out at their enemy. Gothard has a stone that has the power to Unmake, once he knows how to use it. Valeria and her lover Kerrick, with their stallion gods travel to the battleground to stop Gothard before he starts using the stone's power to crush the Emperor's forces. Partners in love and battle Kerrick and Valeria perform a Dance unlike any dance the stallions performed, one that will determine the fate of the Empire.
This is the second book in this magnificent romantic fantasy series (See THE MOUNTAIN'S CALL) and it is full of more action, romance and drama than its prequel. The love Kerrick and Valeria feel for each other is tested by secrets he keeps from his lover and the wounds that refuse to heal, both magical and physical, inflicted on him by his half-brother. The battle scenes are magnificent, the characters are realistic and the storyline is pure magic; readers will eagerly await the next book in this tantalizing series.
Harriet Klausner
4 of 4 people found the following review helpful.
If you like horses and fantasy this book is for you!
By Brittany
Caitlin Brennan is one of those authors who captures your attention with witty unpredictable plot. This was one of those books that you just can't put down, but first you have to read "The Mountains Call", the first book of the series. It is a book with romance, fantasy, horses, and best of all action. The pace of this book was perfect; there were no moments of boredom! That I can guarantee! Enjoy! And if you like it keep and eye out for her next book of the series!
4 of 5 people found the following review helpful.
Disappointing sequel
By Joanne Blessing
This book has taken me a LOOOOOOOONG time to get through. I keep getting distracted by other books. I didn't have the same problem with "The Mountain's Call" which further solidifies my belief that this book falls far short of its predecessor. The bar set by "The Mountain's Call" has not been reached by its sequel, which is unfortunate.
There are just too many predictable things going on. Valeria is of course the focus, and her magic is never really in question, but of course she makes some stupid decisions that drive the mediocre plot. Of course she's disregarded by the other Riders. Of course Kerrec completely breaks down. Of course she meets up with Euan. Kerrec is becoming irritatingly predictable. The horse-gods are playing havoc with Valeria without bothering to even try to convince the other acolytes (er, the Riders) of their will, and through it all, that little spell that was never really explained, the Unmaking, threatens from the sidelines.
There's something about the stubbornness of the Riders that really gets on my nerves, because they seem so rigid and undefined. They have basically no personality. It's hard to care for any of the characters anymore, when Valeria is so obviously much more powerful than anyone, yet no one likes her, Kerrec is falling apart at the seams, Gothard is so... stereotypical in his evilness (it's like the author is bashing me over the head with why I should despise him; he has NO redeeming qualities at all, and almost seems Evil For the Sake of Being Evil, except he's more of Evil For the Sake of Vengeance Because Everyone's A Meany-head.) and the Imperial Heir is curiously abandoning her royal post in the early goings. So where's the Emperor in all this, one wonders.
I don't know, the characters just really got on my nerves, and Gothard especially... just because he seems too cliche for my tastes. Euan is the only character who got much exploration, in my opinion, and he was already a fascinating one as it was. For as refreshing as this whole novel series started out (about halfway through the first book) it's rather become a disappointment to me. I hope the third book, "Shattered Dance," can revive my faith. As it stands now, this series is a little too cliched for my tastes.
Perhaps, though, my biggest complaint about this whole series is that the magic itself isn't very well defined. I keep finding myself saying "What does this magic do? What does the author mean when she says 'The Door of Time'? Why do the stallions need riders in The Dance, if the magic is within the stallions themselves? What kind of magic is this? Where does it originate from? Is it greater than Gothard's stone-magic? Why should the Empire give a damn about the Mountain and its magic? What are the rules of this magic, and why are the rules being broken so easily and at will? Why is Valeria so special that only she and no other can control all the stallions?" If the author can take some time to explore the purpose and rules of this magic, maybe it'll help, but I'm floundering, trying to figure out why I should care what happens to the Mountain. At this point, I'm with Gothard: Unmake the world, and start all over again.
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