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In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination.
Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."
- Sales Rank: #1135910 in eBooks
- Published on: 2009-10-20
- Released on: 2009-10-20
- Format: Kindle eBook
From Publishers Weekly
This penetrating new entry in Yale's Icons of America series synthesizes biography, cultural criticism and aesthetics. Former Nation art critic and Columbia philosophy professor emeritus Danto (After the End of Art) argues that Andy Warhol radically redefined the question of art. His Brillo Boxes and Campbell's Soup Cans challenged the viewer to ask, What is the difference between two things, exactly alike, one of which is art and one of which is not? Danto, whose visit to a Warhol show in 1964 inspired him to become a philosopher of art, views many of Warhol's most important works as answers to such philosophical puzzles. Danto's writing is elegant and his insights acute: the Marilyn Diptych's transformative repetition is linked to Coltrane's compositions; Warhol's final Last Supper series represented, Danto argues convincingly in a profound final chapter, the culmination of the artist's mission to externalize the interiority of our shared world. This valuable work of critical cultural analysis reveals aspects of Warhol so far uncovered and unexplored that will appeal widely to the interested generalist as well as to scholars of contemporary art, American culture and aesthetics. Photos. (Oct.)
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From Booklist
*Starred Review* An artist turned philosopher, Danto was transfixed and transformed by Andy Warhol’s shocking Brillo Box show in 1964. Now one of the world’s most prominent art critics and philosophers of art, Danto focuses on Warhol’s “philosophical mind” and the “tremendously original” ideas behind his Brillo Boxes and paintings of Campbell’s Soup cans, money, and celebrities in this fresh, supple, and illuminating inquiry. As complex as Danto’s perceptions are, his language is always direct and clear, his discoveries arresting as he explicates Warhol’s sensitivity to the “tragedy of the commonplace”; trust in sameness, multiplicity, and collaboration; and attempts to capture unedited reality. Danto astutely traces the ripple effects of Warhol’s blurring of the lines between commercial and fine art, and art and real life; the startling power of his portraits, particularly of Marilyn and Mao, and his provocative, maddening films. Danto draws on just enough biographical and historical coverage to support his penetrating insights into Warhol’s personal struggles, blatant quest for fame, and confounding public persona. A masterful crystallization of why and how Warhol’s revolutionary techniques and creations shattered the traditional, restrictive definition of art, and razed the way for today’s creative pluralism and artistic freedom. --Donna Seaman
Review
“Grounding the Pop Pope in the aesthetic discourse of The Transfiguration of the Commonplace, philosopher and art critic Danto presents Warhol’s achievement with great clarity and acuity. This is now the essential book on Warhol and on the philosophical basis of contemporary art.”—John Perreault, Artopia (artsjournal.com/artopia)
(John Perreault )
"A distinctive original contribution that can be read in a single sitting, but embodies the wisdom of a lifetime of looking, reflection and writing. It's as if Danto has been waiting all these years to produce this magnificent synthesis."—David Carrier, Cleveland Institute of Art
(David Carrier )
“This study of what makes And Warhol a fascinating artist from a philosophical perspective explores new territory in our unending quest to evaluate the contribution of the greatest American artist of the 20th century. Arthur Danto’s Andy Warhol is a deep read.”—Victor Bockris
(Victor Bockris )
“When Arthur Danto encountered Andy Warhol's Brillo Box in 1964, the experience transformed his vision of art. This book exhibits his philosophical heft and engagement with Warhol.”—Steven Watson, author of Factory Made: Warhol and the Sixties
(Steven Watson )
“Arthur Danto's encounter with Andy Warhol's Brillo Boxes in 1964 not only transformed his philosophical career, but also reshaped the course of twentieth-century aesthetics. His masterful new book articulates the artworld contexts, cultural issues, creative strategies, and aesthetic ideas through which Warhol's special genius was expressed. Danto paints a definitive portrait of Warhol's meaning as an American icon, while also exemplifying the critical intelligence and philosophical imagination that has earned Danto his own iconic status in the world of art theory and criticism.”—Richard Shusterman, author of Pragmatist Aesthetics
(Richard Shusterman )
"As Danto explains in his brilliant short study of Warhol, the question Warhol asked is not 'What is art?' but 'What is the difference between two things, exactly alike, one of which is art and one of which is not?'"—Richard Dorment, The New York Review of Books (Richard Dorment New York Review of Books )
“A concise and insightful primer that can be enjoyed both by those who know little about the artist and by rabid Warhol enthusiasts . . . wholly satisfying . . . solid scholarship and brilliant turns of phrase.”--Doug McClemont, ARTnews
(Doug McClemont ARTnews )
Most helpful customer reviews
15 of 18 people found the following review helpful.
What Happened to Danto?
By Conrad J. Obregon
What has happened to Arthur C. Danto? Once Danto was amongst the greatest living aestheticians, as well as an eminent art critic for "The Nation". One could always assume that his writings would be interesting and often provocative. After this volume one can not rely on the assumption.
The book is part of a series of short books from the Yale University Press, aimed at exploring American culture by exploring the lives of particular individuals. Danto quickly claims that this is not a biography of Warhol but rather a "study of what makes Warhol so fascinating as an artist from a philosophical point of view." However he then chronicles Warhol's life with generous references to other Warhol biographers. Along the way he asserts that Warhol forced philosophers to redefine art, but goes on to say that he will not discuss this since he has written elsewhere of it.
There is no doubt that Andy Warhol was an important cultural icon, perhaps as much from self-marketing as from the content and form of his work. Danto identified the importance of his work at an early time. He asked and asks a useful question. Why is a Brillo box created in a factory and displayed in a supermarket not art, while a Brillo box created in an atelier and displayed in a gallery is art? The clear inference, made express elsewhere in Danto's writings, is that intentionality is somehow essential to art. Danto asserts that this was one of Warhol's breakthroughs, and unconvincingly dismisses DuChamp's ready-mades as not really making the point.
The fact of the matter is that this is old ground for Danto, having been expressed more clearly and with greater detail in earlier works. I suppose that for generations that never heard of Warhol and that may be interested into a quick peek into his life and work, without too much effort (the essay is less than 150 pages of easily-grasped language and generously-sized type) the volume may be of interest. The few illustrations in the book are in black and white and of rather poor quality, but perhaps that is all that is necessary to illustrate Warhol's work. Perhaps his work is better to read about then to actually see.
Those who have believed that Danto was an important guide through the philosophy of art may begin to wonder if the guide will return to providing new insights.
4 of 5 people found the following review helpful.
Thought Provoking
By Joanna D. Scandiffio
I like the accessibility of Danto's book. Without losing his reader, Danto explains the art movements before and after Warhol, giving the reader the ability to focus on how Warhol became the icon he is today. The reader is not left behind in highbrow art definitions or in-depth analysis. You begin to think about what is art and how that definition changes as the culture changes. You can focus on the Marilyn paintings, the Brillo Boxes or the Campbell Soup Cans and begin to understand how Warhol changed how we understand what is art. The book even made me think about what Warhol might have done with the Internet. Danto's basic premise is refuted by Louis Menand in the Jan 11 2010 issue of The New Yorker. Read the book, read the article and then read Warhol's Diaries. A good book always makes you want more. Danto keeps the dialogue going on in your head long after you have finished the book.
1 of 1 people found the following review helpful.
Before buying this book I strongly recommend to check on YouTube Mr
By Roberto M. Pensotti
Before buying this book I strongly recommend to check on YouTube Mr. Danto's interview "the Brillo Box and so forth..." and the extraordinary "Andy Warhol Documentary Part 1 & 2." then you can decide whether you want to add Mr. Danto's personal philosophical opinion on this controversial but seminal artist.
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